Ben Cosgrove Shines Again on Field Studies
Ben Frost’s Aurora
Are albums intended to be inspirational or are they just catharsis? Or is it a lot more complicated than that? Read more…
A Summer’s Tale: U.S. Premiere is Worth the Wait
In another summer film season chock full of derivative tent-pole escapism and banal comedic schlock, the long-awaited U.S. premiere of Eric Rohmer’s A Summer’s Tale has been a most welcome escape. Eric Rohmer’s film, which debuted in New York City six days ago, is a cinematic tour-de-force that charms and marvels from the very first frame. The film, which premiered in the Un Certain Regard category at Cannes in 1996, is the third entry in Rohmer’s Tales of the Four Seasons project and the only one that had never been released theatrically in America. Despite the near two-decade wait, its arrival on American shores must not to be overlooked. Read more…
Old-School Crooning Takes Center Stage
Performing songs from what they call the Great American Songbook, Chicago quartet Under the Streetlamp crooned effortlessly through an 80 minute set last night at the King Center for Performing Arts in Melbourne, FL. Read more…
The Rise and Fall of Salvador Dali Parton: Nashville’s Supergroup That Wasn’t
In October of last year, a Nashville supergroup was formed.
Using the name Salvador Dali Parton, the band included Jake Orrall (JEFF the Brotherhood), Mike Harris (Apache Relay), Winston Marshall (Mumford and Sons), Justin Hayward-Young (The Vaccines) and Gil Landry (Old Crow Medicine Show).
Salvador Dali Pardon then performed a series of six shows in ONE night (Saturday, Oct. 26) at the following venues: The High Watt, The Exit/In, The Stone Fox, The Springwater and The Coyote Ranch. Salvador Dali Parton kept their output a secret and never released any material. They did however promise to release a live recording compiled of the best songs from each of their performances.
The following day Salvador Dali Parton closed up shop, vaguely promising to still release those recordings. All inquiries to Salvador Dali Pardon’s press team have revealed very little.
Will Salvador Dali Parton ever see the light of day?
All of us at RMP are certainly hoping so!
Lydia Loveless Covers Ke$ha
Lydia Loveless is the best thing that’s happened to alt-country since Son Volt. The consummate risk-taker who is unafraid to shake things up, she is wise beyond her years and loaded with armfuls of talent.
In anticipation of Record Store Day, she’s released a cover of pop starlet Ke$ha’s “Blind,” and given it an alt-country makeover. That it’s as splendid as it is, only further elucidates the power this Ohio youngster possesses.
Elliot & The Ghost Ponder Love on Debut EP
RMP favorites Elliot & The Ghost have returned with Is This Love, their self-financed and self-released debut EP that firmly establishes them as one of Brooklyn’s bands to watch in 2014 and beyond. Read more…
Trying to understand The Great Beauty
For a week now I’ve been ruminating over the Oscar-winning Italian film The Great Beauty, Paolo Sorrentino’s romantic, acerbic and deeply provocative narrative about Jep Gambardella (Toni Servillo), a celebrity journalist trying to navigate his place in the world. Anchored by panoramic shots of Rome and a spellbinding soundtrack, the film skillfully weaves the whirring rush of high society shindigs with the iconic and historic splendor of one of Europe’s most beloved destinations. Gambardella’s watershed moment is the unexpected death of his teenage flame and how her passing forces Gambardella to take stock of his career, his life thus far and his ensuing future. Though it plods along at times, the 125-minute piece has many a scene that deftly blend comedy, introspection and beauty into one cohesive and masterful piece. Granted there’s a lot to digest (most of which is head-scratching and pretentious) but in the subtler scenes is something truly magnetic. Foreign films have a way of hitting at the core in ways American films never do and The Great Beauty is certainly no exception.
PBS Pledge Month is a Music Fan’s Paradise
PBS has forsaken original programming in lieu of March being pledge month, but Holy Moses, there’s a plethora of great content. Already this month, I’ve enjoyed The Dukes of September, the Bob Dylan Tribute Concert, Ed Sullivan’s Rock n’ Roll Classics and and John Sebastian’s Folk Rewind. Oh, I know, this is all syndicated stuff, but the diversity of the content is absolutely terrific. Some days my love for PBS knows no bounds.
Abraham McDonald Dazzles On New Single
We’re always grateful for the songs that came through the inbox here at RMP, but I was quite puzzled when “Dreams Come True,” a duet fearing Abraham McDonald and Rebecca Holden was sent to me. Turns out the song is moving up the Billboard AC charts and last month sat at #41. But who exactly are McDonald and Holden?
A quick Google search yields that McDonald won Oprah’s Karaoke Challenge in 2010, a $250,000 cash prize and a record deal with Island Def Jam. Holden, on the other hand, was on the 80s TV show Knight Rider and charted two country singles in the late 1980s. How exactly these two came together remains to be known, but if the song proves anything it’s how immensely talented McDonald truly is. Holden is a fine singer and her parts are solid, but they don’t have the same sonic impact as that of McDonald. While an unnecessary machinated beat threatens to ruin the song, the inherent skill of McDonald keeps the song from steering off into disaster. The accompanying lyric video below perfectly captures the sentiment of the song. A belated Happy Valentines Day, ya’all.